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A Touch of Hollywood in Chehalis - The Daily
News May 21, 2001
By Tom Paulu
Wearing a tux and jaunty black hat and sucking on
a cigar, Curt Harris looked every bit the movie star as he waved
to folks lined up outside the Chehalis Theater. For at least one
day Harris and his co-stars in "The Immigrant Garden"
were stars indeed. They arrived in classic cars and strode over
a red carpet into the theater where the marquee read "world
premier." Market Street, the main drag in Chehalis, had a touch
of Hollywood glitz Saturday for the first screenings of "The
Immigrant Garden." Southwest Washington residents who have
spent hundreds of thousands of dollars and countless hours making
the movie, hope it will eventually appear on TV, if not movie theaters.
"Immigrant Garden" grew from a play that
Caroline Wood of Longveiw wrote a decade ago. Several years ago,
she took a class in screenwriting from C. Tad Devlin of Chehalis,
who has done extensive Hollywood film production work.
Devlin said the class encouraged Wood to expand on the script, and
the seeds of a movie were planted. The cast
is largely amateurs who haven't appeared in films before. And the
crew members learned on the job from Devlin. 'We made our own lights.
We made our own dollies. We made our own cranes," he said.
The story is set in Oakville, a small town in western
Lewis County. Many of the scenes were filmed at the Borst Home in
Centralia, although the cast came to the Rutherlen Mansion in Longveiw
in the fall of 1999 for a ballroom dance scene. The story, set in
1910, revolves around a young woman,Cecily Barnes, who lives with
her father, Arthur. Cecily's mother died when the girl was 3, and
Arthur often visits her grave to talk to her. Cecily discovers some
seed packets from England bearing the inspirational words of Mrs.
Beauchamp. The two begin a correspondence, the 80-year-old Mrs.
Beauchamp provides the motherly advice that Cecily longs for. Cecily
is headstrong, which gets her into trouble in school and with her
father, who's trying to hook her up with one of his students. Cecily
would much rather march for women's suffrage, and longs to travel
to England to meet Mrs. Beauchamp. She writes
that she dislikes having to squeeze herself into a corset for her
18th birthday party. "It is only when a woman is forced into
the corset of society that a woman loses her strength," her
older pen pal responds. The girl also befriends her piano teacher
who's ostracized by the community because she's a never-wed mother.
Wood's original play had just two women; she concocted
all the other extra characters for the movie. She researched the
area's history first. Wood said the black shopkeeper she invented
would have been realistic for 1910 Washington - In the movie, Cecily
finds she can't work in his store because of his race. "The
Immigrant Garden" moves slowly, apt for an era when people
seldom traveled far from home and horseless carriages were just
arriving on the scene. The camera lingers on misty fields and barns.
It's very much a character development picture - although one of
the main characters, Mrs. Beauchamp only appears at the end.
Angela Johnson, 19, of Onalaska, said she felt overwhelmed
at the premier. She said she took her character's development to
heart during filming. "I grew from it." Johnson, a drama
student at Centralia College, plans to get an agent and head to
the Seattle or Portland areas to further her career. She has high
hopes for the film because, "It's just one of those classics."
Harris who plays Cecily's father, took six weeks off work for the
filming. Like other actors he didn't see the film until Saturday.
"It had a lot more depth to it" than he expected, he said.
Former Longveiw actor Peter Lewis plays the bumbling student Rigor,
who Cecily likes more than the snob her father wants her to favor.
The finished product was "a lot better than I expected,"
Lewis said. Phillip Kennedy, Micheal Duncan and Tabitha Oullette
are other actors in the cast.
After the showing, Devlin said that he and crew
members had been up the previous few nights working on the sound.
He wasn't satisfied with it, and planned to add new background music.
Even though the actors agreed to be paid only if the film turns
a profit, making "The Immigrant Garden" still cost $729,000,
Devlin said. "About a half million came from my pocket."
It would have cost another half million if the film had been shot
on film instead of digital videotape. His next step is to enter
"The Immigrant Garden" in film festivals and try to market
it. Devlin said the premier is proof that an independent producer
can make a movie in an industry dominated by a few major studios.
"This is almost as revolutionary as the printing press,"
he said.
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